Stage Rigging Handbook, Fourth Edition by Jay O. Glerum (Author)
Updating the industry standard stage rigging text for a new generation
First published in 1987 and revised in 1997 and 2007, Stage Rigging Handbook remains the only book in any language that covers the design, operation, and maintenance of stage rigging equipment. Though often unnoticed, these systems are critical in both easing the workload of stage technicians and creating storytelling magic for the audience. This landmark text imparts the foundations for understanding and implementing rigging systems, such that upon completion of the book, the reader is ready to begin hands-on training and practice.
Organized into four sections, the handbook combines research and practical experience to guide riggers through their work. It begins by explaining the construction and care of basic lifting media. Part two analyzes types of rigging systems; then the handbook details the forces that impact rigging, from Newtonian physics to calculating expansive modern systems. Finally, it presents day-to-day best safety practices, including brand new sections on risk assessment and fall protection.
This reorganized and greatly expanded fourth edition of Jay O. Glerum’s industry standard text updates much of the information in the previous editions with the addition of chapters on truss (the framework that supports lighting, screens, and other accessories), motorized chain hoists, hardware, and job safety, including fall protection systems. Award-winning production manager Shane Kelly preserves Glerum’s voice while bringing fresh information to a new generation of riggers, supplementing the text with updated versions of earlier photographs and drawings as well as an additional one hundred illustrations. The handbook facilitates the development of a rigging practice rooted in safety, precision, and professionalism.
Review
“Stage Rigging Handbook clearly explains the basics of how to maintain your rigging system and operate it safely. This manual can also be a ready reference and friend when rigging a show. This is a book to always keep handy in a cubbyhole at the end of your pinrail.”—Steve Nelson, Dramatics
“Stage Rigging Handbook should become a standard text for advanced technical students and all individuals concerned with the safe and proper maintenance and operation of stage-rigging systems.”—Derek Hunt, Theatre Design and Technology
Book Description
Succinct and jargon free, Stage Rigging Handbook remains the only book in any language that covers the design, operation, and maintenance of stage-rigging equipment. It is written in an at-a-glance outline form, yet contains in-depth information available nowhere else. This fully indexed third edition includes three new parts: the first, an explanation of inspection procedures for rigging systems; the second, a discussion of training in the operation of rigging systems; and the third, essential information about the operation of fire curtains. The remaining six parts, as well as the glossary and bibliography, have been updated. This edition also contains a new preface, many new illustrations, and expanded information on Nicopress terminations.
Glerum explains that four main principles make up the core of this book: know the rigging system; keep it in safe working order; know how to use it; and keep your concentration. Glerum applies these principles to all of the major types of stage rigging systems, including block and tackle, hemp, counterweight, and motorized. He describes each type of rigging, then thoroughly reviews the operating procedures and methods of inspecting existing systems.
Jay O. Glerum (1939- 2014) held seminars on stage rigging throughout the United States, Canada, and Europe. A fellow of the United States Institute for Theatre Technology, he served as chair of the Rigging and Stage Machinery Standards Committee of the Institute and taught at Seattle University, Marquette University, and the University of Washington. He was president of Jay O. Glerum & Associates, Inc., a firm specializing in consulting for the entertainment industry.
Shane Kelly is professor and head of the theatre technology program at The Theatre School at DePaul University and is an Entertainment Technician Certification Program (ETCP) certified freelance rigger and OSHA Authorized General Industry outreach trainer. He has worked as production manager for the Chicago Symphony Orchestra, the Illinois Supreme Court Historic Preservation Society, and the DePaul School of Music Opera. He cofounded and served as executive director of Cloudgate Theatre and has worked as a technical director, carpenter, rigger, craftsperson, and sound and lighting designer at theaters all over the country and internationally.
